How do maps address divided space and occupied territories?
This map was produced by B’Tselem and shows where the separation barrier has been built, has been approved to be built, and where the green line is. Yes, these are three different places. Naturally, the most complicated part of the map is the area around Jerusalem, where lines snake and weave. It’s just as messy on the ground.
I got this map from a lady in a booth right after the passing through the Lidra Street checkpoint to enter North Cyprus. This cartographer solved an awkward problem by simply omitting all detail in the Republic of Cyprus. Here there be dragons.
This is an official tourist map courtesy of the Republic of Cyprus and a Carleton alum who marked it up for me with helpful notes. The area to the north of the Buffer Zone contains some sketches of streets (I wonder if they’re accurate?) but otherwise notes resignedly, “Area under Turkish occupation since 1974.” I wonder if this phenomenon can be partly attributed to the two sides competing for tourist attention? (Maybe they won’t visit if they don’t know what’s over there..) Every map has an argument.
Unsurprisingly, my maps of Belfast never marked the Peace Walls. The Walls do not denote any sort of change in rules for the powers that be, only for the people that live there, so the Walls are not added to maps. Furthermore, it would be an unsightly blemish to wares in the Belfast Tourist Center, where I acquired this booklet. So, it was up to me to look up the locations I needed to visit, and mark them on my guidebook, sometimes with an R or L for Republican or Loyalist, so I could remember which side was which when I visited. My entire collection of maps is marked up with these lines and notes.
I wonder how someone living in these neighborhoods would map their city or world? Sounds like another project…
April 2009, Rome
This was probably the first time I tried to cover an event as a photographer and create a comprehensive photo essay. The occasion was a Communist rally on a warm spring day in Rome, where I had arrived days before for the second leg of a study abroad program. I can’t remember how my friends and I heard about the rally, but it was a Saturday morning, and we took the worlds’ worst metro system to the Pyramid stop, where we emerged, wide-eyed, to a sea of red flags and hammers and sickles. It was overwhelming for my midwestern senses, which were still adjusting to a world outside of Minnesota, much less the USA. But then the adrenaline kicked in and we started to follow the parade towards the Colosseum.
I stayed on the outside of the parade, working my way toward the front. I took a lot of pictures of people’s backs and sides, much to my irritation nowadays. Nearly an hour into the march, I found the beginning of the pack and the leaders of the action. They were riding in the back of this white pickup truck which was advancing at a crawl down the middle of the street. One shouted into a megaphone in Italian. An old man wearing a red scarf walked on the passenger side of the truck. But most of all, I was transfixed by this young woman who seemed to rally the crowd with ease, starting chants and directing the fists of Italian youth. I read her as a symbol of the movement. She was young, maybe as young as I was, and her behavior was a fascinating split between powerful and frail, anonymous and strangely familiar.
As the parade approached the Colosseum, the men in the very front produced giant sparklers which gave off a tremendous amount of smoke when lit. It was the climax of the entire morning and emotions ran high. I began a flat out dash to the very front, planning to throw myself in front of the marchers to get the shot: the men with the angry red sparklers against the backdrop of the Colosseum. Suddenly, other photographers were there, all with giant lenses. I jockeyed with professionals for space, also for the first time, watching to see where they would try and shoot from. And then, my camera ran out of battery. Just like that. Dead. No more photos. I never got the shot. Although the friends I came with were behind me, at least a few of them snapped photos that could have ran on AP with ease. Most of the work is showing up and finding the right place at the right time, but it doesn’t count when your equipment doesn’t show up with you.
I learned a hard lesson that day, but since then, I’ve never ran out of battery at an event. However, I still hate photographing flags, fundamentally fickle in the wind.